Sunday, June 21, 2009

Final Bridge

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Obama Elevator
Madonna Elevator


From Bridge Final


From Bridge Final

Although Obama is not submissive, in comparison to Madonna, she is overwhelming, as her quarters domineer over both the meeting place and Obama's room, where her ambition is represented as the driving force if the bridge. The shape of her building, although predominantly orthogonal, in expression of her bluntness, includes curves to still inhibit her feminity.




From Bridge Final

The meeting place for Obama and Madonna was, even though was covered by the coloured lights of Madonna, held a place of serenity in the middle where they both could reside peacefully between them. The table, uses Obama's sense of equality where both need to be sitting upon it for it to be balanced and feasable to work on.



From Bridge Final

Barrak Obama's room is made of the balance of white and grey to show a sense of equality and cooperation which reflects his own methods of power relationships with other. His room holds within a spherical theatre, where similar to Greak theatres, each person has a right of say. The three way stairs is a representation of his cooperation methods where each need the other's support in order to reach the top.


From Bridge Final

Week 04 and 05 Reviews

Week 04
From Gradings


Week 05
From Gradings